A Complete Guide to Learning Rock Guitar
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Total Rock Guitar: A Complete Guide to Learning Rock Guitar
Troy Stetina
Excerpt :
No TagsGETTING A TONE THAT ROCKS
Different guitars will all sound somewhat different There are no absolute rules here. It’s all a matter of personal taste and preference. Generally speaking, electric guitars with dual-coil (’humbucker") pickups are more common, but single-coil Strat sounds are also quite at home in many styles of rock.
When it comes to amps. though, one thing is certain: Rock guitar is distorted guitar. For best results, you may want to have a distortion pedal of some kind as well as an amp capable of achieving distortion on its own. First we’ll mention the amp. Basically, distortion is the result of using separate pre-amp and master level controls. Turn the pre-amp up to 10 and you’ll overdrive (i.e., distort) your sound, then adjust the overall volume with the master control. Conversely keep the pre-amp down for a cleaner sound. Different manufacturers may label these two stages of gain differently: pre-amp/master, gain/volume, pre-gain/post-gain. etc
You can add a "stomp box’ distortion pedal into the signal chain to take it a bit further. In tad, many of the heavier modern rock styles use loads of distortion-a level on which most amps are likely to fall short A distortion pedal can also give you a greater variety of distorted tones depending on exactly how you set drive. level, and tone knobs in combination with the amp’s settings. Finally, 8 you set your amp for a clean tone and use the distortion pedal to achieve all the fuzz, you can switch between dean and distorted at the touch of a button ..very useful in some styles, as you’ll see in song 04 for example
I used a Line6 POD (digital software modeling amp) and went direct, That is to say, all guitars on this CD were recorded with no actual amplifier or speaker cabinet and no mics. The POD is designed to effectively emulate many different amps at the flip of a switch-pretty, handy for a recording like this. Most often I used the "British Hi Gain" setting (which models a Marshall JCM800) then applied various different E05 to tweak each tone just right for that particular mix, For the heaviest modern styles, I used the ‘Rectified" selling (Mesa Boogie Dual Rectifier). In addition, an Ibanez TS70 tube screamer sometimes helped push the distortion level a bit further. Also making appearances were the POD settings-Modern Class A- (Vox). "Black Panel" (Fender blackface). and ‘POD Clean- (Roland Jazz Chorus) - Sometimes a slight bit of stereo reverb was added afterward during mix down.









